 Huitzilopochtli |
Aztec Mythology |
Huitzilopochtli |
Aztec Mythology |
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Every September, she received a sacrifice of young girl, decapitated. The sacrifice's blood was poured on a statue of Chicmecoatl and her skin was worn by a priest. She was thought of as a female counterpart to Centeotl and was also called Xilonen ("the hairy one", which referred to the hairs on unshucked maize), who was married to Tezcatlipoca. She often appeared with attributes of Chalchiuhtlicue, such as her headdress and the short lines rubbing down her cheeks. She is usually distinguished by being shown carrying ears of maize. She is shown in three different forms:
Chiuacoatl was especially associated with midwives, and with the sweatbaths where midwives practiced. She is paired with Quilaztli and was considered a protectress of Chalmeca and patroness of Culhuacan. She helped Quetzalcoatl create the current race of humanity by grinding up bones from the previous ages, and mixing it with his blood. She is also the mother of Mixcoatl, who she abandoned at a crossroads. Tradition says that she often returns there to weep for her lost son, only to find a sacrificial knife. Although she was sometimes depicted as a young woman, similar to Xochiquetzal, she is more often shown as a fierce skull-faced old woman carrying the spears and shield of a warrior. Childbirth was sometimes compared to warfare and the women who died in childbirth were honored as fallen warriors. Their spirits, the Cihuateteo, were depicted with skeletal faces like Cihuacoatl. Like her, the Cihuateteo are thought to haunt crossroads at night to steal children. Cihuacoatl was also a noble title among the Aztecs, given to the secondary ruler of Tenochtitlan who was responsible for the day-to-day affairs of the capital city. Tlacaelel served as Cihuacoatl under four Aztec kings (Tlatoanis) during the 15th century. As Cihuacoatl he counselled the ruler and personally took charge of the military and public sacrifices.
In the Codex Azcatitlan he is represented as a combination hummingbird and serpent tail being carried in what might be thought of as a backpack. In the Codex Florentine his birth is recorded as well as his famous battle with the stars. In all painted images his adornments are different, some with a shield of turquoise mosaic, others with a shield of white eagle feathers. The central image in all drawings is that of a warrior and a leader. He is often depicted as a seed dough image or "teixiptla" which was often made and prized during feasts. He was also the national god of the Aztecs. As well as being a god of war and a sun god, he was also a god of death, young men, warriors, storms, and a guide for journeys. His mother was Coatlicue, his father a ball of feathers (or, alternatively, Mixcoatl). His sister was Malinalxochitl, a beautiful sorceress, who was also his rival. His messenger or impersonator was Paynal. The legend of Huitzilopochtli is recorded in the Mexicayotl Chronicle. His sister, Coyolxauhqui, tried to kill their mother because she became pregnant in a shameful way (by a ball of feathers). His offspring, Huitzilopochtli, sprang from his mothers womb and killed his sister Coyolxauhqui, along with many of his 400 brothers and sisters. He then tossed her head into the sky, where it became the moon, so that his mother would be comforted in seeing her daughter in the sky every night. Huitzilopochtli was a tribal god, and a legendary wizard of the Aztecs, and originally was of little importance to the Nahuas, but after the rise of the Aztecs, Tlacaelel reformed their religion and put Huitzilopochtli at the same level as Quetzalcoatl, Tlaloc, and Tezcatlipoca, making him a solar god. So he replaced Nanahuatzin, the solar god from the Nahua legend, with Huitzilopochtli. Huitzilopochtli was said to be in a constant struggle with the darkness, and required nourishment in the form of sacrifices to ensure the sun would survive the cycle of 52 years that was the basis of most Mesoamerican myths. While popular accounts claim it was necessary to have a daily sacrifice, sacrifices were only done in festive days. There were 18 especially holy festive days, and only one of them was dedicated to Huitzilopochtli. The Nahuas believed the world would end like the other previous four creations. Every fifty-two years, they feared the world would end. Under Tlacaelel, Aztecs believed that they could give strength to Huitzilopochtli with human blood and thereby postpone the end of the world, at least for another fifty-two years. Coincidentally, the Aztec empire fell at the end of this cycle. The Great Temple of Tenochtitlan was dedicated to Huitzlilopochtli and Tlaloc because they were considered equals in power. Sixteenth-century Dominican Friar Diego Durán wrote, "These two gods were always meant to be together, since they were considered companions of equal power." (Diego Durán, Book of Gods and Rites) The Templo Mayor actually consisted of a pyramidal platform on top of which were twin temples. The left one was Huitzilopochtli's and the right one was Tlaloc's.
According to Miguel León-Portilla, in this new vision from Tlacaelel, the warriors that died in battle and women who died in childbirth would go to serve Huitzilopochtli in his palace (in the south, or left). From a description in the Florentine Codex, Huitzilopochtli was so bright that the warrior souls had to use their shields to protect their eyes. They could only see the god through the arrow holes in their shields, so it was the bravest warrior who could see him best. From time to time, those warriors could return to earth as butterflies or hummingbirds.
While her lover was away, Iztaccihuatl was told he was dead and she died of grief. Upon the young warrior's return, he took Iztaccihuatl's body in his arms and carried her to the mountains. He placed her down on the ground and knelt beside her, himself dying of grief. The gods took pity on them, covering them with a blanket of snow and transforming them into mountains. Iztaccihuatl today is known as the "Sleeping Woman", as the mountain appears to be a woman laying on her side. He became Popocatepetl, or "Smoking Mountain", the volcano that still rains down his revenge for the death of his lover.
Mictlan was the lowest (ninth) level of the underworld, located far to the north. Except for warriors who died in battle, people who died when hit by lightning and women who died in childbirth, people went to Mictlan after death. The journey was difficult and took four years, but the dead were aided by the psychopomp, Xolotl. The king of Mictlan was Mictlantecuhtli. The queen was Mictecacihuatl. Other deities in Mictlan included Ciucoatl (who commanded Mictlan spirits called Cihuateteo), Acolmiztli, Chalmecacihuilt, Chalmecatl and Acolnahuacatl.
Legend has Quetzalcoatl and his twin brother Xolotl, descending to hell and retrieving human bones. By dripping his blood onto the bones, human resurrection began. Men therefore, are the children of Quetzalcoatl. He is always presented as benevolent. He wears about his neck a "Wind Jewell" made from a conch and his head was adorned with a jaguar bonnet or sometimes a small cap. A sharp bone protrudes from the headgear which flows the blood that nourishes his nahualli, the Quetzal bird. Often depicted holding a thorn used to let blood. He created auto-sacrifice, a forerunner to human sacrifice. He is said to have let blood in honor to Camaxtli (Mixcoatl), who the Aztec believed to be Quetzalcoatl's father. Quetzalcoatl's priests would bang a drum in the morning and in the evening in reverence to Quetzalcoatl. At that time merchants could leave the city and visitors could enter Tenochtitlan. The drum of Quetzalcoatl may be compared with the flute of Tezcatlipoca. The drum separated night from day. The flute was heard at night. The sound of the flute was shrill and anxiety followed it's music. He taught men science and the calendar and devised ceremonies. He discovered corn, and all good aspects of civilization. Quetzalcoatl is a perfect representation of saintliness. His cult transformed into a type of nobility cult and only special sacrifices selected from the Nobel classes were made to him, and then only in secret. Quetzalcoatl is a very ancient god known to the Mayas and ancient Teotihuacan ruins. He was said to be the son of Camaxtli and Chimalma and he was born in Michatlauhco, "Fish Deeps". His mother died during his birth and he was raised by his grandfathers. The multiplicity of Quetzalcoatl's roles attest to the antiquity of his cult following and his adoration. He is credited with allowing the Spanish and Cortes to march into the Aztec lands. The Aztec people thought Cortes was an incarnation of Quetzalcoatl returning from the East to retake his lands as told in legend. It was not uncommon for a hundred years after the conquest for merchants in smaller towns to work and save for twenty years just to throw a large banquet to this most revered god. Before the conquest slaves would have been bathed and sacrificed for this feast.
Although a beneficent god Tlaloc certainly had the power to unleash floods, lightning and drought when angry. To please him children were sacrificed to him as well as prisoners dressed in his image. It is said that the more the babies and children cried the more Tlaloc was pleased. During the sacrifice the tears of the screaming children were seen as representations of falling rain, the more the children cried, the better the rain season. Tlaloc was first married to Xochiquetzal, a goddess of flowers, but then Tezcatlipoca kidnapped her. He later married the goddess Chalchiuhtlicue, "She of the Jade Skirt". In Aztec mythic cosmography, Tlaloc ruled the fourth layer of the 'Upper World", or heavens, which is called Tlalocan ("place of Tlaloc") in several Aztec codices, such as the Vaticanus A and Florentine codices. Described as a place of unending Springtime and a paradise of green plants, Tlalocan was the destination in the afterlife for those who died violently from phenomena associated with water, such lightning, drowning and water-borne diseases. With Chalchiuhtlicue, he was the father of Tecciztecatl. He had an older sister named Huixtocihuatl. He ruled over the third of the five worlds in Aztec belief. In Salvadoran mythology, he was also the grandfather of Cipitio. Tlalocan was the earthly paradise of Tlaloc, located in the East, the place of Light and Life. It was where the souls of those killed by lightning, dropsy, skin diseases, and those sacrificed to Tlaloc went. The Rain God-God of Vegetation-Ruler of the South. In ancient Chichimec times may have been worshipped under the name of Tlalocateuctli, meaning "Land-lier-Lord". Tlalocateuctli was considered by Alcaron to be a metaphor for the owner of a sown field. Known to the Olmec as "Epcoatl", meaning Seashell Serpent. There is speculation that this deity originated with the Olmec. Known to the Maya as Chac, to the Totonacs as Tajin, to the Mixtecs as Tzahui, to the Zapotecs as Cocijo and throughout Mesoamerica.
Annually, slaves were selected as sacrifices to Xipe Totec. These slaves were carefully flayed to produce a nearly whole skin which was then worn by the priests during the fertility rituals that followed the sacrifice. Some accounts indicate that a thigh bone from the sacrifice was defleshed and used by the priest to touch spectators in a fertility blessing. Paintings and several clay figures have been found which illustrate the flaying method and the appearance of priests wearing flayed skins.
He is the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was usually depicted with a red or yellow face and a censer on his head. His wife was Chalchiuhtlicue. At the end of a 52-year cycle (the Aztec century) it was feared that the gods would discontinue their contract with mankind. To appease them, at the end of such a cycle feasts were held in their honor, where Xiuhtecuhtli as the god of fire was the center of their attention. Victims were placed on burning coals, after the hearts had been removed from the bodies.
In Aztec and Toltec mythology, Xolotl ("The Animal", Lord of the Evening Star, Lord of the Underworld) was the god of lightning and a psychopomp, which is to say that he was the one who aided the dead on their journey to Mictlan, the afterlife. Xolotl was also the god of fire and of bad luck. He was the twin of Quetzalcoatl, the pair being sons of the virgin Coatlicue, and was the evil personification of Venus, the evening star. He guarded the sun when it went through the underworld at night. He also brought forth humankind and fire from the underworld. In art, Xolotl was depicted as a skeleton, a dog-headed man - "xolotl" can also mean "dog" in Nahuatl, the Aztec language - or a monster animal with reversed feet. He was also the patron of the Ulama game. He is identified with Xocotl as being the Aztec god of fire. The axolotl, a type of salamander native to Mexico, is not directly named after the god. Instead, its name derives from the Nahuatl words for water ("atl") and dog (also "xolotl").Xoloitzcuintle is the official name of the Mexican Hairless Dog (also known as Perro Pelón Mexicano in Spanish), a canine species endemic to Central America dating back to Pre-Colombian times. This is one of many native dogs species in the Americas and it is often confused with the Peruvian Hairless Dog. The name Xoloitcuintle makes reference to Xolotl because, historically, one of this dog's missions was to accompany the dead in their journey into eternity. In spite of this prominent place in the mythology, the meat of the Xoloitcuintle was very much part of the diet of some of the ancient peoples of the region.
The Serpent Gods
The word "Coatlicue" is Nahuatl for "the one with the skirt of serpents". She is referred to by the epithets "Mother Goddess of the Earth who gives birth to all celestial things", "Goddess of Fire and Fertility", "Goddess of Life, Death and Rebirth" and "Mother of the Southern Stars". She is represented as a woman wearing a skirt of writhing snakes and a necklace made of human hearts, hands and skulls. Her feet and hands are adorned with claws (for digging graves) and her breasts are depicted as hanging flaccid from nursing. Coatlicue keeps on her chest the hands, hearts and skulls of her children so they can be purified in their mother's chest. Almost all representation of this goddess depict her deadly side, because Earth, as well as loving mother, is the insatiable monster that consumes everything that lives. She represents the devouring mother, in whom both the womb and the grave exist. According to the legend, she was magically impregnated while still a virgin by a ball of feathers that fell on her while she was sweeping a temple. She gave birth to Quetzalcoatl and Xolotl. In a fit of wrath her four hundred children, who were encouraged by Coyolxauhqui (her daughter), decapitated her. The god Huitzilopochtli afterward emerged from Coatlicue's womb fully grown and girded for battle and killed many of his brothers and sisters, including decapitating Coyolxauhqui and throwing her head into the sky to become the Moon. In a variation of this legend, Huitzilopochtli himself is conceived by the ball-of-feathers incident and emerges from the womb in time to save his mother from harm. A massive sculpture known as the Coatlicue Stone was discovered by the astronomer Antonio de León y Gama in August of 1790 after an urban redevelopment program uncovered artifacts. Six months later, the team discovered the massive Aztec sun stone. De León y Gama's account of the discoveries was the first archeological work on Pre-Columbian Mexico.
Mixcoatl was one of four children of Tonacatecuhtli, meaning "Lord of Our Sustenance," an aged creator god, and Cihuacoatl, a fertility goddess and the patroness of midwives. Sometimes Mixcoatl was worshipped as the "Red" aspect of the god Tezcatlipoca, the "Smoking Mirror," who was the god of sorcerers, rulers, and warriors. In one story, Tezcatlipoca transformed himself into Mixcoatl and invented the fire drill by revolving the heavens around their axes, bringing fire to humanity. Along with this cosmic fire drill, Mixcoatl was the first to strike fire with flint. These events made Mixcoatl a god of fire, along with war, and the hunt. Mixcoatl was the father of 400 sons, collectively known as the Centzon Huitznahua, who ended up having their hearts eaten by Huitzilopochtli. The Centzon Huitznahua met their demise when they, and their sister Coyolxauhqui, after finding their mother Coatlicue pregnant, conspired to kill her. However, as they attacked she gave birth to a fully formed and armed Huitzilopochtli, who proceeded to kill his half-siblings. Mixcoatl was also thought of as being the father of another important deity, Quetzalcoatl, the feathered serpent. Quecholli, the 14th veintena, the 20-day Aztec month, was dedicated to Mixcoatl. The celebration for this month consisted of hunting and feasting in the countryside. The hunters would take the form of Mixcoatl by dressing like him, kindling a new fire to roast the hunted game. Along with these practices, a man and woman would be sacrificed to Mixcoatl at his temple. The female would be slaughtered as would be a wild animal -- that is, by bashing her head against a rock four times. Subsequently, her throat would be cut, and she would be decapitated. The male victim would display her head to the crowd before he, himself, would be sacrificed in the familiar Aztec way: heart extrusion.
The god Quetzalcoatl was sometimes conflated with Topiltzin Ce Acatl Quetzalcoatl, a semi-legendary 10th century Toltec ruler. The worship of Quetzalcoatl sometimes included animal sacrifices, and in other traditions Quetzalcoatl was said to oppose human sacrifice. Mesoamerican priests and kings would sometimes take the name of a deity they were associated with, so Quetzalcoatl and Kukulcan are also the names of historical persons. One noted Post-Classic Toltec ruler was named Quetzalcoatl; he may be the same individual as the Kukulcan who invaded Yucatán at about the same time. The Mixtec also recorded a ruler named for the Feathered Serpent. In the 10th century a ruler closely associated with Quetzalcoatl ruled the Toltecs; his name was Topiltzin Ce Acatl Quetzalcoatl. This ruler was said to be the son of either the great Chichimeca warrior, Mixcoatl and the Culhuacano woman Chimalman, or of their descent. The Toltecs had a dualistic belief system. Quetzalcoatl's opposite was Tezcatlipoca, who supposedly sent Quetzalcoatl into exile. Alternatively, he left willingly on a raft of snakes, promising to return.
The Aztec turned him into a symbol of dying and resurrection and a patron of priests. When the Aztecs adopted the culture of the Toltecs, they made twin gods of Tezcatlipoca and Quetzalcoatl, opposite and equal; Quetzalcoatl was also called White Tezcatlipoca, to contrast him to the black Tezcatlipoca. Together, they created the world; Tezcatlipoca lost his foot in that process. Though white was the color symbol of Quezalcoatl, it does not mean Quezalcoatl was white. The Feathered Serpent deity was important in art and religion in most of Mesoamerica for close to 2,000 years, from the Pre-Classic era until the Spanish conquest. Civilizations worshipping the Feathered Serpent included the Mixtec, Toltec, Aztec, who adopted it from the people of Teotihuacan, and the Maya. The cult of the serpent in Mesoamerica is very old; there are representations of snakes with bird-like characteristics as old as the Olmec preclassic (1150-500 BC). The snake represents the earth and vegetation, but it was in Teotihuacan (around 150 BC) where the snake got the precious feathers of the Quetzal, as seen in the Murals of the city. The most elaborate representations come from the old Quetzalcoatl Temple around 200 BC, which shows a rattlesnake with the long green feathers of the quetzal. In time Quetzalcoatl was mixed with other gods and acquired their attributes. Quetzalcoatl is often associated with Ehecatl, the wind god, and represents the forces of nature, and is also associated with the morning star (Venus). Quetzalcoatl became a representation of the rain, the celestial water and their associated winds, while Tlaloc would be the god of earthly water, the water in lakes, caverns and rivers, and also of vegetation. Eventually Quetzalcoatl was transformed into one of the gods of the creation (Ipalnemohuani). The Teotihuacan influence took the god to the Mayas, who adopted him as Kukulkán. The Maya regarded him as a being who would transport the gods. In Xochicalco (700-900 AD), the political class began to claim that they ruled in the name of Quetzalcoatl, and representations of the god became more human. They influenced the Toltec, and the Toltec rulers began to use the name of Quetzalcoatl. The Toltec represented Quetzalcoatl as man, with god-like attributes, and these attributes were also associated with their rulers. The most famous of those rulers was Topiltzin Ce Acatl Quetzalcoatl. Ce Acatl means "one reed" and is the calendaric name of the ruler (923 - 947), whose legends became almost inseparable from accounts of the god. The Toltecs would associate Quetzalcoatl with their own god, Tezcatlipoca, and make them equals, enemies and twins. The legends of Ce Acatl told us that he thought his face was ugly, so he let his beard grow to hide it, and eventually he wore a white mask. This legend has been distorted so representations of Quezalcoatl as a white bearded man have become common. The Nahuas would take the legends of Quetzalcoatl and mix them with their own. Quetzalcoatl would be considered the originator of the arts, poetry and all knowledge. The figure of Ce Acatl would become inseparable from the image of the god.
God Groups
Macuiltochtli was also part of the of Centzon Totochtin, the four hundred rabbit which were all gods of drunkenness.
In Aztec mythology, the Cihuateteo (also Ciuteoteo, Ciuateoteo or Civateteo; singular Ciuateotl, lit. goddess) were the spirits of human women who died in childbirth (mociuaquetzque.). Childbirth was considered a form of battle, and its victims were honored as fallen warriors. Their physical remains were thought to strengthen soldiers in battle while their spirits became the much-feared Cihuateteo who accompanied the setting sun in the west. They also haunted crossroads at night, stealing children and causing sicknesses, especially seizures and madness, and seducing men to sexual misbehavior. Their images appear with the beginning day signs of the five western trecena, (1 Deer, 1 Rain, 1 Monkey, 1 House, and 1 Eagle) during which they were thought to descend to the earth and cause particularly dangerous mischief. They are depicted with skeletal faces and with eagle claws for hands. They are associated with the goddess Cihuacoatl and are sometimes considered envoys of Mictlan, the world of the dead. Cihuateteo are servants of the Aztec moon deities Tezcatlipoca and Tlazolteotl.
The Centzonuitznaua are known as the "Four Hundred Southerners"; the gods of the northern stars are the Centzonmimixcoa.
In Aztec mythology, a tzitzimitl (plural tzitzimimeh) is a deity associated with stars. They were depicted as skeletal female figures wearing skirts often with skull and crossbone designs. In Postconquest descriptions they are often described as "demons" or "devils" - but this does not necessarily reflect their function in the prehispanic belief system of the Aztecs. The Tzitzimimeh were also associated with the stars and especially the stars that can be seen around the sun during a a solar eclipse. This was interpreted as the Tzitzimimeh attacking the sun, this caused the belief that during a solar eclipse, the tzitzimime would descend to the earth and devour human beings. The Tzitzimimeh were also feared during other ominous periods of the aztec world, such as during the five unluky days called Nemontemi which marked an unstable period of the aztec year count, and during the New Fire ceremony marking the beginning of a new calendar round - both were periods associated with the fear of change. The Tzitzimimeh had a double role in Aztec religion: they were protectrices of the feminine and progenitrices of mankind. But they were also powerful and dangerous, especially in periods of cosmic instability.
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Acolmiztli - a god of the underworld, Mictlan.
